| Viewpoints: Acquisition Strategies |
| Adalat Aliyev, President, Lider Media Holding, Azerbaijan |
| Adam Urban, Founder and Chairman, Uploaded.TV, Netherlands |
| Adel Sammakieh, Manager, Tele-Pictures Promoters International, Lebanon |
| Agnieszka Gyralska, Acquisitions and Sales Manager, Digital Partners Sp. z o.o., Poland |
| Alexandra Hanna, Business Development Manager, Blue August Creations, United Kingdom |
| Ana Uremovic, Program Coordinator, Otvorena Televizija Zagreb, Croatia |
| Artur Dmochowski, Channel Director, TVP Historia, Poland |
| Awni Al Lababidi, Managing Partner, Founoon Film Distribution, UAE - Dubai |
| Beatrice Riesenfelder, Head of Sales and Acquisitions, Austrian Broadcasting Corporation ORF, Austria |
| Björn Jensen, Managing Director, Ginger Foot Films, Germany |
| Bojana Maljevic, Head of Acquisitions & Programming / Co-Owner, Happy TV, Serbia |
| Caroline Tyre, TELETOON Canada inc., Canada |
| Claudia Schorr, Vice President Sales and Acquisitions, RTL II, Germany |
| Dirk Schweitzer, Executive Vice President Program Acquisitions & Sales, RTL Television GmbH, Germany |
| Domenico Moretti, Managing Director, keitai, Italy |
| Elinor Schops, International business development director, Mobile1, Israel |
| Emma Masoni, Manager Global Acquisitions, Fox International Channels, UK |
| Esther Van Der Brink, Head of Acquitions, SBS Belgium, Belgium |
| Fasahat Aziz, Associate Manager, International Acquisitions, GEO TV Networks, Pakistan |
| Galya Halaui, VP Program Acquisition and International Strategy, Zebra TV Channels: Hop!, Luli and Parents Channel, Israel |
| Gunawan, Program Acquisition Search Section Head, PT.Cakrawala Andalas Televisi (antv), Indonesia |
| Hatice Soysev Kolat, General Manager, Kanal D Romania, Romania |
| Hubert Ornass-Kubacki, Editor in Chief, TVP Historia, Poland |
| Igor Caban, Programming Director, Kabel Plus, s.r.o., Slovakia |
| Ines Nastasoiu, Acquisitions Manager, ACASA TV, Romania |
| Jacques Mathieu, Vice-president, programming, Ztele, Astral Media, Canada |
| Jaime Fontan, Productions' Manager, Aragon Television, Spain |
| Jennifer Tucker, Head of Content IPTV & Entertainment Services, eircom Limited, Ireland |
| Joanna Pogorzelska, Channel Director, PLANETE, Poland |
| Joaquin Garcia, Imagenio, Telefonica of Spain, Spain |
| Johanna Salmela, Acquisition Executive, Finnish Broadcasting Company (YLE Television), Finland |
| Judith Michel, Content Services Sale Manager, XDC, Belgium |
| Laszlo Cselenyi, President, DUNA TV, Hungary |
| Leland Ling, CEO, Beijing Office of LIC Australia, China |
| Liliana Slavova, Program Director, TV2, Bulgaria |
| Lucy Pryke, Acquisitions, Teachers TV, United Kingdom |
| Magdalena Borowska, Documentaries Buyer, Telewizja Polska TVP INFO, Poland |
| Mazen A. Rifka, Head of Acquisition & Rights, Al Jazeera Children's Channel, Qatar |
| Mehmet Demirhan, Head of Acquisitions, KANAL 7 and ULKE TV, Turkey |
| Nicolas Deschamps, Head of Acquisitions department, ARTE France, France |
| Nicole Fortier, 2T3M Television Inc, Canada |
| Nina Lorgen Flemmen, Head of Acquisition, TVNORGE and FEM, Norway |
| Orsetta Violante Balsamo, Head of Acquisitions, Endemol Italia, Italy |
| Preena Bhatia, Head of Acquisitions, JimJam, United Kingdom |
| Rachel Job, Co-productions & Acquisitions Executive, HISTORY TM & Military History, The History Channel, United Kingdom |
| Raquel Benitez, CEO, Comet Entertainment Inc., Canada |
| Ruediger Boess, Senior Vice President, Group Programming Acquisitions, ProSiebenSat.1 Media AG, Germany |
| Rupi Sagoo, Director of Programming, Fox International Channels Asia |
| Sebastian Debertin, Head of Fiction, Acquisition & Coproduction, Der Kinderkanal von ARD und ZDF, Germany |
| Simonetta Polese, Buyer, Project Development, Overcom Srl, Italy |
| Sonja Kokovic, Programming Manager, Vesanima D.O.O, Serbia |
| Sviatlana Ramanchykava, Chief of Acquisition Department, Salmon Distribution, Belarus |
| Tanja Saudet, CEO, Saudet Media, France |
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Viewpoints: acquisitions strategies
Hubert Ornass-Kubacki
Editor in Chief
TVP Historia
Poland
What are your acquisition strategies for 2009?
TVP Historia, as a part of the Polish Public Television, is a new thematic channel and is still new on the television market. When TVP Historia was launched in May 2007, most of our programs were based on our rich archives, and were documentaries on Polish history in the 20 th century. But, since then, we varied our offer and opened to new audiences. Now we are looking for programs, which present stories from different parts of the world. We would like to show to polish viewers the stories of people and nations from different cultures, ages and with different backgrounds. TVP Historia is also searching for programs, which are on local stories, but are know or could be related internationally.
What genres are you looking for?
Documentary movies are our main interest. We are looking for programs on the military, travel, arts, biographies, religion, lifestyle and culture - all in relation to history from ancient times to the 20th century. If we find some interesting titles, we concern the purchase of drama movies, which are related to history or are presenting touching stories from the past.
What rights are you looking for?
TVP Historia is free-to-air satellite channel, we are also in few major cable networks in Poland, and so we need exclusive rights for satellite and cable broadcasting. Of course, exclusive titles availability is important to us. The rest is a matter of negotiation.
What products will be in demand during MIPTV 2009?
As the financial crisis is growing, all companies and broadcasters do major budget cuttings and buyers will make their decisions with more concern. I suppose it will cause producers and distributors flexibility regarding prices and general offers. According to audience telemetries, interest in the local stories, from one's own region and country is the general trend, and it should be noticed by producers. And, there is always great interest in touching, mysterious, true stories presented in attractive ways. The other trend is that digital technologies availability is rapidly increasing, and in 2009, we will see more productions in HD than in previous years.
Unseen Beatles
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